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Mar 4 2008, 12:11 PM
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#11
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Newbie [Level 3] ![]() ![]() ![]() Group: [HOSTED] Posts: 42 Joined: 17-February 08 Member No.: 58,025 |
never had black and white dreams before, how's that possible? my mind is not that much creative lol
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Mar 21 2008, 01:09 AM
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#12
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Newbie [Level 1] ![]() Group: [HOSTED] Posts: 18 Joined: 21-March 08 Member No.: 59,628 |
I can't seem to remember ever dreaming in black and white....interesting though
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Mar 22 2008, 02:00 PM
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#13
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Newbie ![]() Group: Members Posts: 5 Joined: 22-March 08 Member No.: 59,668 |
Most of the time, I just dream in black & white. These dreams can range from WWII dreams, or dreams with pixies dancing in a field of tulips and daisies. Every time I've had a colored dream, they actually happen with in a few weeks. For instance, I had a colored dream of my friend cheating on me with my girlfriend, me dumping her, and them going out. To my "wonderful" luck, it actually happened.
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Mar 24 2008, 04:50 PM
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#14
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Newbie ![]() Group: [HOSTED] Posts: 9 Joined: 15-March 08 Member No.: 59,363 |
I am absolutely certain that I dream in colour, although I am equally certain that I remember in black and white. Of course, in my dreams there is a convenient lack of detail, so that my mind can fill in any details it likes and still be correct. However, when the MEMORIES of the dreams are restricted to black and white, their possible details decreases from nearly infinite, to almost wholly binary.
I suppose it's possible that everyone dreams differently, but due to the common structure shared by nearly all human brains, I find it highly unlikely. It reminds me of the question, "Are the colours we see different from the colours others see?" Then again, what exactly is colour? We tell ourselves that it is light bouncing off of objects and into our eyes, but that implies that without us here, there would be no colour, which seems rather ridiculous to me. Do we see in colour? Do we see at all? |
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Mar 31 2008, 07:09 PM
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#15
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Member [Level 1] ![]() ![]() ![]() ![]() Group: [HOSTED] Posts: 73 Joined: 2-February 08 From: Dhaka, Bangladesh Member No.: 57,229 |
Most of my dreams are colorful. I did not know that dreams may be black and white few years back. Few years back, I read an article where I found that most of the dreams are colorless. Actually I did not think about the color of my dreams before I read that article. After read it, I observed my dreams and found that most of my dreams are colorful and few are colorless (black and white) but still I do not know why my some dreams are colorful and why others are black and white.
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Apr 1 2008, 06:59 PM
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#16
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Super Member ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Group: [HOSTED] Posts: 277 Joined: 30-December 07 From: Norway Member No.: 55,479 |
Actually, I do not feel like I dream in any colour! Not black, not white, just nothing. I would rather say I dream with my mind - thinking of how things look, what people say and what colour they are. But I never feel like I can actually see the colours, or the surroundings. Well maybe, but not very often. I am not surprised that others replying to this topic feel different about this. It is really weird... if I have a dream that happens at the same place two nights in a row, I might colour things different. For example my neighbours car would not be red, it would be blue or black. My cousin had not coloured her hair green, but pink. Haha, it is really weird sometimes.
But there are times when I dream "normally", where I can "see the surroundings." |
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Apr 1 2008, 10:59 PM
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#17
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Newbie [Level 2] ![]() ![]() Group: [HOSTED] Posts: 31 Joined: 15-November 07 Member No.: 53,095 |
i dream in black and white, once i hit my head anddreamedincolor,but ithink i was awake. there a group of scientists who are investigating this theory.
i found this article over at www.sandia.gov, copy and pasted to save you time and effort. QUOTE An eclectic group of artists and scientists that organizers have dubbed the “dream team” of imaging and visualization are gathered at New York University this week to begin to create a photographic system capable of capturing and displaying a gigapixel — one billion pixels — of visual information in a single image. The first Big Picture Summit, Dec. 8 and 9, is organized by artist-photographer Clifford Ross and co-hosted by Sandia National Laboratories and the Interactive Telecommunications Program at NYU’s Tisch School of the Arts. Ross says his goal in bringing together top imaging experts from leading scientific institutions is to bring closer to reality his desire to create a “you are there” photographic experience for those who have not personally witnessed the sublime beauty of natural scenes such as Mt. Sopris in Colorado. “In the early 15th century, the impulse to render flesh more realistically drove the artist Jan van Eyck to invent oil paint,” says Ross. “The same sort of impulse is driving me, except that I’m trying to capture a mountain. Pixels are simply 21st century oil paint.” R1 camera system Artist photographer Clifford Ross uses his invention, the R1 camera system capable of gigapixel single-shot images, to shoot sweeping yet highly detailed landscape photographs. (Photo courtesy of Clifford Ross) Download 300dpi JPEG image, ‘R1_WorkingMethod6.jpg’, 296K (Media are welcome to download/publish this image with related news stories.) The scientists have different but complementary goals. Computational scientists at Sandia, a National Nuclear Security Administration lab, believe a display system of the magnitude proposed by Ross will enhance the ability of its scientists to visualize and gain insight from massively complex data sets that can be understood only through human intuition, ranging from supercomputer-generated physics simulations to high-resolution satellite imagery. “We have a lot in common with an artist like Clifford Ross and his quest to make extremely detailed images that evoke a powerful emotional response,” says Carl Diegert, Sandia computational scientist. “We want to understand from an intuitive standpoint what it is that enables viewers to gain insight — for example, a visual metaphor that makes a human viewer comfortable and thus better able to interact with an image. Computer science alone is not likely to invent a means for scientists to intuitively comprehend highly complex problems.” “My own goal is to fill the eye with so much information that it overflows and reaches the human heart,” adds Ross. “Art is emotional, but the path is technical, and virtually all the scientists involved in this effort know more about the technical aspects of imaging than I do.” Ross’ newly patented R1 camera system (www.cliffordross.com/), which broke through the gigapixel barrier, has achieved some of the highest resolution single-shot images ever created. (Efforts by other photographers have digitally melded many smaller images taken over a period of time into single sweeping, gigapixel-sized landscape images.) The quality of the first landscape images created with the R1 — the “Mountain” series — convinced many of the scientists involved in the Summit to join in the effort, says Diegert. The 15 professionals invited by Ross to participate in the Summit include renowned artists, scientists and engineers from government agencies, and digital imagery experts from the entertainment and film industries. (See list of participants below.) The project could have major implications for all industries that rely on precise imaging, including environmental science, space exploration, telecommunications, and homeland security, says Diegert. The project has two parts. The first is to design and build a new camera, expanding on concepts embodied in the R1, that can capture a gigapixel of digital information at a speed of 1/15th of a second or faster. The second part is to create the display system, which Ross likens to building an “electronic Sistine ceiling.” It will have 16 times greater data display capabilities than one currently in use at Sandia, among the world’s most advanced. The display would provide an overall view of images at a very large scale while allowing viewers to perceive extremely fine detail. The Summit is expected to result in a concrete agenda and working group, which would then be funded by interested individuals, foundations, corporations, and government agencies with an interest in the practical implications of Ross’ quest. “This extraordinary convergence of talent is a promising start,” said renowned digital innovator Red Burns, creator and chair of the Interactive Telecommunications Program at the Tisch School of the Arts. “The group is skilled in virtually all the necessary elements of hardware and software design for a high resolution imaging project of great ambition. Individually, the participants are some of the keenest minds in the field. Collectively, with an unyielding artist in our midst and the right support, there is a chance to create a real breakthrough.” |
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